In a distinctive twist, Ayya, UN agency had refused films all his life, starts ‘acting’ in them. He becomes any person, however once Dhanapal (Sunil, a powerful debut), a tricky producer and actor, decides to play clever, Ayya ‘disappears’, going his friend Parasuraman (Mouli, solid) and family to face one among the outre charge ever.
For its initial forty minutes approximately, Seethakaathi plays out a lot of sort of a comedy. we have a tendency to get to visualize the fervour that Ayya has for theatre, the comradery he shares along with his company and their high regard for him, the issues in his family,
that is principally financial attributable to his steadfast refusal to compromise on his art.But among a few of scenes it’s tone changes and also the director offers North American country a dark comedy that’s a lot of on the lines of his debut film, Naduvula Konjam Pakkatha Kaanom.
These parts not solely supply relief from the industrial comedy of the initial parts, however conjointly facilitate heighten the emotional moments (Govind Vasantha’s background score conjointly will a number of the heavy-lifting) that we have a tendency to get thenceforth.